Thursday 17 October 2013

Banning menace: Reason for Bollywood to cheer

 
In February, information and broadcasting minister Manish Tewari tweeted: ‘Committee on Cinematographic framework (will) give latitude to review every aspect of certification process holistically & ensure integrity’ and the Justice Mukul Mudgal Committee has used that latitude to come up with a progressive model Cinematograph Bill to replace the Cinematograph Act 1952. The I&B ministry setup the Mudgal panel after the Jayalalithaa-led AIADMK government in Tamil Nadu banned Vishwaroopam. This was not a one-off case. While Prakash Jha’s 2011 film Aarakshan was banned in Uttar Pradesh, Punjab and Andhra Pradesh, Ashutosh Gowariker’s Jodha Akbar was banned in Madhya Pradesh, Rajasthan and UP. Other films include Parzania, Firaaq that won two national awards, Madras Cafe, Bandit Queen... the list is endless. Done to not ‘hurt’ the sentiments of a particular section in society, such arbitrary bans have not only hampered artistic freedom but has also emboldened keening fringe groups to have their five minutes of glory by raising frivolous excuses to stall the screening of a film. It should be noted that these films run into troubled waters even after getting the go ahead from the censor board, thus rendering such vetting processes meaningless.
In the wake of such issues, the suggestions put forward by the Mudgal committee are noteworthy. The committee’s suggestion that the selection to the advisory panels of the Centre Board of Film Certification be more professional, consisting of members who are skilled, is spot on. The present practise of political appointments, often with people who have no inkling of the job required, is detrimental. Another suggestion is to increase the mandate of the Film Certification Appellate Tribunal (FCAT) to hear cases regarding an objection to any particular film, rather than a plaintiff approaching court as it happens at present. The suggestion to have more categories for classification of films and to bring age-specific divisions is a step in the right direction. The committee has also suggested that in cases where a state uses law and order as a reason to ban a film, ascendency must be given to the powers of the Cinematograph Act. Law and order being a State subject, this suggestion is likely to run into rough weather — and that would be unfortunate.
While the Mudgal committee has come up with astute insights, it is still a long way before these are implemented. There are many stumbling blocks in the way that might force this report to end up in the dusty pile of unimplemented reports submitted by various other government-appointed committees in the past. The Mudgal committee has done its job. Now, it is up to the government, both at the Centre and states, to see that it is implemented without much delay.

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