Monday, 26 August 2013

Madras Cafe: good filmmaking ensures no bullet wasted



The movie business is evolving with every passing day and the rules of the games are changing. Lately, there seems to be a talk of only how much a movie earns (Rs100 cr….Rs200 cr…..), of the ensemble of stars or some trivial fact that is not worth remembering. The subject and story of the movie is that missing bit, something like fruit pulp in an aerated drink. And at a time when going to a theatre means removing your grey matter or smelling some nitrous oxide just to remain sane, Shoojit Sircar’s Madras Cafe is a welcome relief. At the outset let me make it clear that this movie is not going to the film archives for being a ‘path breaking cinema’. And yet this is a movie worth watching, if not for anything, for the simple fact that the makers of this movie have stayed true to their job. Rather than going over the top with jingoistic dialogues or cacophonic screams of patriotism, Sircar keeps the whole tenor at a mellow, on-the-ground pace giving the whole experience more credibility.
John Abraham is the main protagonist, but as you would have read by now, the script is the hero of the movie. Madras Cafe, by far, is the most rewarding performance by John Abraham. For an actor, whom I have always thought, was getting typecast as a macho-man of Bollywood, John pushes the bar high. He, probably, had the freedom of doing such an intense film because he is a part producer of the film. That however does not take anything from his performance in the movie.
Credit should be given to Shoojit Sircar. After Vicky Donor, not many would have betted on him to pull through a good movie in an entirely different genre. Casting in the film has also been commendable. Sircar seems to have got the right actors to do even small bits, be it Siddharth Basu as the R&AW head or Prakash Belawadi as the Jaffna Indian official.
Contrary to what has been seen with movies of this genre in India Sircar does not include a song in the movie. An item number (that petty excuse to get people talking about a movie) could have easily been put to show how the Tamil rebel leader enjoys his evenings, of course with a bonfire!
Rather than using John for his muscles and Nargis Fakhri for her looks, Sircar gives the characters they portray respectability and credibility, which is very essential for a movie that, though is claimed to be fictitious, has an uncanny resemblance to an event in history that is still a political hot potato for India and Sri Lanka.
Digressing from the movie, the timing of the release of Madras Cafe and its importance is interesting. It is quite understandable that the politicians in Tamil Nadu have seen red over the film. For the Congress this is a sure morale booster and I’m wondering why they have not gone about distributing free copies of the film. After all, it revisits the assassination of our former PM who was stressing for peace in the neighbourhood. What better message to give in an election year. I still can’t understand why the BJP is opposing the film.
All said, Madras Cafe is a movie worth watching and you will not have to keep your brains back home. In fact do brush you history and Tamil a bit.
This latte tastes better than an Express blend.

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